Descripción: This is a well known public domain standard for all festive, family, or corporate function celebrations. It is used as a standard for the New Years Eve parties but can be used for any party. This version is a romantic and sentimental harp duet that gives a feeling of warm innocence that's full of humble sentiment and will surely to bring a tear to the eyes of more than a few! 100 bpm and edited for seamless looping. Should auld acquaintance be forgot, And never brought to mind? Should auld acquaintance be forgot, And days of auld lang syne For auld lang syne, my dear For auld lang syne, We'll tak’ a cup o’ kindness yet For auld lang syne.

Descripción: An electrifying techno drum and bass background dance track that's modern and old school. It has a funky energy for confidence and success! There's a solid rock drum kit, funked out dub bass, stacked effect synthesizer leads, and digital glitch scratching. It's a hard hitting retro mod beat that struts it's stuff with pop familiarity and dance excitement! 110 beats per minute.

Descripción: A traditional rendition of a hymn written in 1862. This is the way it would have been heard in that historical period. At 122 bpm a brisk marching pace feel. It would work perfect for Civil War history, documentary, reenactment films, or corporate achievement goals. John Brown’s Body, Glory,

Descripción: Reverend John Henry Hopkins, Jr. wrote We Three Kings for an 1857 Christmas pageant put on by the General Theological Seminary of New York City. In 1863. Here is a classic and traditional Christmas hymn done in a lively music box style with a harp duet. This version is very much like the way it could have been heard in a service in the 1800's. 128 beats per minute

Descripción: ords by John M C Crum in the Oxford Book of Carols, 1928. 15th Century French melody arranged by Martin F Shaw 1875-1958. This version is a classical arrangement with a grand piano and flute. Edited for looping at 98bpm Now the green blade rises from the buried grain, Wheat that in the dark earth many years has lain; Love lives again, that with the dead has been: Love is come again, like wheat that springs up green. In the grave they laid Him, Love Whom we had slain, Thinking that He’d never wake to life again, Laid in the earth like grain that sleeps unseen: Love is come again, like wheat that springs up green. Up He sprang at Easter, like the risen grain, He that for three days in the grave had lain; Up from the dead my risen Lord is seen: Love is come again, like wheat that springs up green. When our hearts are saddened, grieving or in pain, By Your touch You call us back to life again; Fields of our hearts that dead and bare have been: Love is come again, like wheat that springs up green.

Descripción: The bones are jumping tonight with this energetic and humorous track. It has a brisk conga and drum kit groove with syncopated synthesizer arpeggios. There is bells, synthesizer frequency swells, a spirit choir, wind chimes, and on top is a happy bouncy xylophone melody that has the classic boney clunking fun. Put a peppy dance feel to something fun and happy! 110bpm 444hz A tuning for some extra good feeling!

Descripción: This is a spiritual song first recorded in the 1920s. It's a standard campfire sing along song in Scouting, religious retreats, and summer camps and has also enjoyed broader popularity during the folk revival of the 1950s and 1960s. There are several different lyric versions. Here it is done as an instrumental with a solo piano. 100 bpm

Descripción: The Wexford Carol is a beloved traditional religious Irish Christmas carol originating from County Wexford in the early19th century. This version is with classical chamber ensemble with a piano and harp duet with a flute melody. 116 bpm.

Descripción: A traditional Christmas carol done in a simple music box style with a flute and harp duet giving a innocent holy feeling. 96 beats per minute. The original lyrics are from a poem by Cecil Frances Humphreys Alexander, published in Hymns for Little Children, 1848. Music: Henry John Gauntlett 1849. 30 second spot

Descripción: This is an original rendition of a classic Christmas carol The lyrics are by English composer George Ratcliffe Woodward and the music is from a traditional 16th century French folk melody. Here it is done in a lively harp, piano, flute, and choir arrangement that gives it a playful and inspirational feel. The end builds up with a brisk hand percussion groove of congas and bongos. The Angels On High are partying! 148bpm